I just realized I could dye linen
I just realized I could dye linen
Item: a pair of boot-cut, white-on-white jeans with embroidery. White House Black Market brand; I snagged them at Amvets Thrift in San Diego.

Idea: I wanted to try a cold, low-water immersion dye. I know my dyes only react with cotton and that the thread was most likely nylon. So I could immersion dye the fabric and the embroidered details would remain white.
Process: I scrunched the jeans in a tupperware, added 7 different dye powder mixes to 1/2 cups of cold water and applied them to the pants in small splashes all over using a plastic syringe. I allowed the dyes to dilute and creep along the fabric for about an hour before I fixed it with hot water and soda ash for another hour or so. Once the pants were fully rinsed and dried I took them in at the seam to make more of a skinny cut instead of the boot-cut. I could have allowed more time for the pants to fix but I wanted to color to be faded/muted so I did not batch overnight.
I had practiced the low-immersion dying last week:


In an effort to hone my skills I have started a series of projects inspired by and created for people I know and love.
The first item in this series was inspired by and created for Alicia. She had recently taken up a hobby of cultivating orchids. And I wanted to create a bright and colorful sweater or jacket that prominently featured orchids. Something that would be suitable for chilly spring mornings or evenings.
I realized right away there was a daunting variety of orchids of every shape and hue, and my first idea was to cover a sweater in an evenly spaced print of every type I could find, so that no orchid was repeated twice. This was my first visualization:

I realized I would have to do some painstaking handwork to make something like this, and also would be mixing the dyes quite a bit more than ever before to get all the variety of hue. I began to think this would be beyond my abilities. I decided I should pick a color theme and limit it to only a few different shades. I think Alicia looks best in either coral or turquoise. I also realized that the orchids had beautiful, abstract patterns in their centers when they were reduced to their outlines and blown up to a large size. For example:

Instead of featuring the full flowers I decided to use oversized segments of the flowers in a more abstracted way. I found a pattern on Burda’s site for a long sweater that I thought would work well for this project, and shopped up two different versions.

I liked the turquoise better. I designed a back for it and then got to work cutting out the pieces and hand-dying them with the orchids. Here’s a piece of the pattern ready to be dyed on my heliodesk:

Here are all the pattern pieces hanging up to dry after the dying:

And here’s the final product:

I’ve asked her to send along a picture of her wearing it. Hopefully I can post that soon.
Until now my tracing designs onto fabric has been done entirely with the help of a small and dim lightbox. So small and dim it certainly did not deserve a name (not even a “Darling Lumensquare” or “Brother Bulbcrate”. I was getting frustrated with the constant shifting and retaping and repinning of paper and material necessitated by the small working area of the box (no bigger than a standard sheet of paper). So I decided to build myself a light desk.
Step one: buy a glasstop desk. I looked on Craigslist and found one very reasonably priced in Oceanside. And I got to meet a lovely family with the most adorable girl in the whole world. She looked to be about a year and half old and had fire orange hair with a brown headband. She followed us around the whole time, keeping a respectful distant, but interjecting “Oh! Hi!” every minute or so, as if she was constantly delighted and surprised by my renewed presence. But I digress, the desk:

I figured the top part could be a music station for Josh. Then I went to my local home improvement goods store and purchased the following:

I got two 4-bulb fluorescent shop lights, a large oak panel, some nylon rope, a light cover to diffuse the light, and some bulbs. I used my handy-dandy rotary tool I bought for shaping acrylic to punch some holes and suspended the oak panel under the glass top, placing the lights on top. It turned out exactly as I imagined it and so I am DAMN pleased with myself, because things like this rarely do. But without further ado… HELIODESK!

Already claimed by my boyfriend in the name of SCIENCE.

A coworker commissioned some tie dye onesies for a friend’s baby shower (it’s a boy!). I’ve never tie-dyed before but I was up for trying something knew. I looked up a few techniques online and made some samples that night.

A) scrunch B) spiral C) immersion D) twist
I like the immersion the most. I just randomly gathered the fabric and shoved it down into a tupperware and poured the dye over it in places. I probably should have stuck to these four types again because it’s never a good idea to try something new with the final material…. but I did something new ANYWAY.
I did one immersion and one twist. They both turned out quite nicely, I think.


I tried to do one with multiple spirals.

I was pleased with this one too, even though the multiple spirals are not obvious.

And finally, I got really creative with my idea for a broken stripe pattern.

It was an utter failure. The colors I chose were awful together (turquoise and fire engine red?!) I used too much dye and barely any white was preserved. It just looked like the stripes were drunk. I ended up bleaching it out and trying over. The bleaching turned the messy stripes into a much more interesting and pale sea foam green and peach. I bunched the fabric over my finger and tied at the base to create circles, splashing them bright orange. I was much happier with round 2. The bleach unfortunately weakened the fiber and it tore around the fasteners. I has to turn it into an itty-bitty t shirt instead.
